#one sided vs two sided

[scyaxe]

there are not enough words in the english language to express my frustration with paper categorization

[kandelia-mangrove]

Can we talk about how in the show Lestat and Armand are framed as narrative foils. Armand and Lestat who are both so aggressively theater kids, but Lestat who acts, who draws in the attention and holds it, and Armand who directs, who shapes and manipulates the narrative. Armand and Lestat's obsession with Louis and his love and frustration with his melancholy over Lestat and Claudia respectively. Who both felt second in his heart. Who fear loneliness above all else. Lestat taking what he wants to excess - no impulse control, and Armand letting things happen to him and trying to manipulate situations to get what he wants but never taking it. Armand, who even in the end, so much more powerful, never physically imposes himself on Louis. Armand who seeks complete control in subtle insidious ways. Lestat who seeks control in the physical. Armand and Lestat brought into vampire life in horrifying ways tangled up with SA. Armand who still talks about his maker with reverence, Lestat who hates his maker. Armand who pours all of himself into his partner, willing to shape himself into what they desire but ultimately needing control to feel safe. Lestat who pours all of his love into his partner but unwilling to change himself and ultimately cedes control in moments to maintain the relationship. Armand who clings to his breaking apart relationship for 77 YEARs, Lestat who let Louis go. Lestat and Armand who watch Claudia die, but one as a father and one as a murderer. Lestat and Armand so intense in their love but Lestat so painfully external and Armand so painfully internal as characters. Both constantly acting and putting on a face. Lestat as Mozart and Armand as Salieri (in the flashback scene!). Armand who loves routine and structure and repetion, Lestat who craves change and excitement. The calling cards are echos, who learned from who. Armand teaching Lestat the vampire gifts, Lestat teaching Armand a new way to live. on and on....

[rayonago]

Twoface because I haven’t drawn him like ever despite him being my number one, shame on me

[suntails]

7.3

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[gayofthefae]

One-sided love stories don't have shared looks.

They don't have two-shots. They aren't a duo. They don't face the world together. They certainly don't match each other's energy one on one.

If Mike didn't have feelings for Will they wouldn't already be framed as a duo. It almost feels in-anticipation.

Either friendship is prioritized over romance or it is the romance. But you can't have a one-sided romance prioritized over a reciprocated romance. It's either two-side, no-sided, or you make the unreciprocated character the casual third wheel.

Deny it as they try, Mike and Will are not friends. I'm not saying Mike has feelings for Will, but narratively, what they are is not friends. They are an unreciprocated romance. That is what they are. And those are not framed as duos.

One-sided love stories don't have shared looks. One-sided love stories are not prioritized over a character's reciprocated one.

So what is this

And they went above and beyond. Not only should Byler not have this in the first place if there is any inkling of romance on either side, Mike and El should, but they don't. I can't come up with a time when they have had a two-shot reaction.

The best I've got is this.

And Will is present. The camera actively avoiding making him a third wheel. This isn't even a shared look. El looks at Will.

Well, no, to be fair, they have some when they are the only ones present.

Also, here is an example of a joint reaction between friends:

They agree on what they're feeling in this moment, and they agree on what they are.

Mike and Will agree on what they are.

Mike and El do not.

[grimdarkqueen]

[storgicdealer]

taking this out of tags RIGHT NOW

tags by @navy-leader

this. makes me go fucking insane. continuing

im still going fucking insane about my last tags

there's NO possible way of victim not seeing something that was streamed on alans channel and respectively streamed in the outernet. its canon that avm original was streamed there. even if it wasnt every episode of avam it is still there. victim lives there and knows what outernet has (and most likely knows about oranges and cg existence. not their powers but existence from at least an avm original episode)

and given that vic learned about chosen and that he was wanted. that victim KNEW about their existence and chased after them. that he had seen something that made him realize that chosen inherently had ties with alan??

one of my thoughts is that only specific stuff is accessible to outernet in canon. maybe not even the whole content of vids. (though the avm original was sixteen minutes and in "the king" it is seen that the video streamed is also sixteen minutes) which could explain how victim only knew a small bit of stuff and didnt just see the a bit of a whole thirty minute willingly and went "well thats all i gotta know about it".

its likely victim accessed chosen(and possibly dark) videos streamed and connected the dots by recognizing alan, similar methods of torturing chosen and the interface of alans pc.

(since its canon victims torture is on youtube and possibly chosens its kinda fucked if they accessed it as well. which perhaps made them even more vengeful)

thought. was showdown something that was streamed or something that was uploaded on youtube? at least the beginning of it?? and victim knew only bits of it???. it could be possible that victim knew about chosen&dark place of living and darks technology. from just bits of information and his company couldve investigated it? but ultimately didnt find chosen nor dark there. and therefore placed a damn bounty on chosen. and they mightve used leftover darks technology there for their own shit. victim knowing about darks tech and possibly small pieces of the showdown could also be explained that he didnt seem to mind the events taken before yellow coded the cursor into the outernet when going through chosens memory. but it does make me think whether victim knew that the cg went back to the pc and therefore didnt place wanted posters of them ??? did he know about darks death and therefore didnt place wanted posters of dark?? wouldnt he try any means to find how to get to alan? is it possible that only the cursor and tscs awakening parts of the showdown video were erased and vic, again, wanted to see more to it (i had a thought that he couldve known what is up with the showdown due to having surveillance technology but im doubting it because chosen and dark lived really secludedly from the city).

but in case the showdown was somewhat seen? by other sticks? and vic couldve known about darks and chosen terror shit from other sticks/a news outlet? oh my god i just realized something

so theres a comic about me wondering how did sticks treat chosens&dark terror in the internet and possibly outernet too. that dark blasted a whole fucking beam in the sky near the stickcity and it wasnt unable to be seen. could victim see that???? could he connect the dots that it was hollowheads power??

the rocket logo. dude. i JUST THOUGHT about it yesterday. and it made so much sense to me

my possible thought was. that victim did escape alanspc through the ip/pc sky. somewhat. in one way or another. and it was the reason why a rocket was picked as the corporations logo.

a rocket is something that is able to literally fly to the sky. to access the higher parts of the world. the ip/sky part of it that had a wormhole to alan in it. the person victim chased after.

and given that rocketcorp specializes on tech. another reason to it besides victims knowledge and ability to use it before and deciding to bring it into the outernet and devote a whole company to it. a rocket is literally something that is made of technology. and since they had to chose a logo that symbolizes tech

victim chose something that represented his goal.

fucking insane about it

i basically treat it as a base for my theories that victim established/reformed a corporation that used internet technologies he himself brought into the outernet (in one way or another). but his company is widely known as a regular tech company that produces all different kinds of it. including domestic stuff like tvs and surveillance cameras and also weapons. but due to technology and digital stuff literally forming the internet and outernet itself they also act as some force in the outernet that upkeeps and protects its citizens. since theyre the only ones with that kind of power

and all these projects that cover many areas of technology that are made by them are used to cover their shady underground shit like. the box and torture and victims true goal (which i believe he could be secret about even to his mercs and colleagues)

and that the point of victim bringing internet technology there. his whole plan of revenge.

it is done in order to protect his kind from something that he experienced. giving them a mean to defend themselves. ESPECIALLY after knowing cursors of users can be manifested in the outernet and damage sticks.

and he is the kind to be ruthless about it if it means creating safety. something he lacked.

(violence and oppression cant be solved with peaceful talks kind of mentality)

im fucking INSANE about this right NOW.

also. another thought

giving the possibility that victim "fell down" from the ip/sky. him providing the internet with basically "divine power" that regular kind of outernet sticks didnt have. him trying to protect outernet sticks from danger and death.

makes the interpretation of victim with angelic/halo symbolism in the fandom so much more sense. and so fucking amazing. oh my god i NEED to make something about this idea.

tom you opened a whole different dimension to my thinking and it fills in the holes ive thought about. im going to be so fucking insane and annoying about this.

pinning this. im

(go to tags here if you want to see my another idea of victim that is so fucking. mind changing to me)

[makoandharu]

Iconique

[moeblob]

My children are so stupid and I love them. The fact Right uses nicknames that are indeed Just Like That makes it even harder to differentiate which one needs to be eliminated. (Brent is pretty sure it's his head on the chopping block.)

[lale-txt]

Love the bingo event but 2 cards for readers vs 6 cards for writers is foul, why not more 😭😭😭

is it really foul or do just have no idea how long it takes to write sth

[queer-omens-in-the-archives]

please don't follow me into the sun

Relationship: Mello/Near Rating: Mature Chapters: 1/1 Words: 1,140

Mello comes to consciousness suddenly, with a jolt of adrenaline and the crystal clear certainty that Near is going to die if Mello doesn't do something, anything, to stop him now. (In which a grieving Near attempts suicide and the Mello in him is not willing to let him.) Companion piece to sweet atonement.

Warnings: Suicide Attempt (No Archive Warnings Apply) Tags: Multiplicity/Plurality, Near's Mello Introject, (could be a psychological phenomenon could be ghost possession. left ambiguous on purpose), Dissociation, Angsty Beginning with a Much Softer Ending, Post-Canon, POV Mello | Mihael Keehl

[read on AO3]

[b4kuch1n]

and the storm he was driving/washed it away/in the eye there was a silence

[ssaraexposs]

Bungo Stray Dogs // SHIN SOUKOKU // Episode 23 (pt.2)

[akkivee]

nb are in hypffindor together 🥺🥺🥺 and mcd are in hyptherin 🥺🥺🥺

[watesigma-0]

the cutest little tiktok addict

we stan a short king fr